Mentionsy

Out in the street, they call it murder.

I won't entertain no more disgrace Out in the street they call it murder When rhythm's passing out your head World of reggae music on ya Keep me rockin' with me dota

Out in the street they call it murder.

The Rolling Stones, Bob Dylan, Herbie Hancock, Grace Jones, Mick Hacknell z zespołu Simply Red i wielu, wielu innych.

Na rozpoczęcie audycji piosenka Werta Reggae Out In The Street They Call It Murder.

Autor klubowego przyboju Here Comes The Hot Stepper, wydanego na początku kolejnej dekady i łączącego rap z funkiem, danceholem.

A Werta Reggae Out In The Street They Call It Murder

Oryginalnie został nagrany przez grupę The Mighty Diamonds.

You preach a man, don't tell me Heaven is under the earth You are dopey and you don't know What life is really worth It's not all that glitter is gold And half a story has never been told So now we see the light We gonna stand up for our rights Come on, get up, stand up

Sisters, don't give up the fight.

I said don't give up the fight.

If you know what life is worth You would look for yours right here on earth And now we see the light We gonna stand up for our rights Come on, get up, stand up Don't make them push you around Stand up for your rights Come on, brothers Get up, stand up Be brave now, don't give up the fight I say get up, stand up

Jeden z członka tego tria The Wailers, tworzonego przez Boba Marleya, Petera Tosha i banego Wailera, banego Livingstone'a.

Zresztą ten ostatni zaśpiewał w tym utworze już po rozpadzie oryginalnych The Wailers, no a na perkusji oczywiście Sly Dunbar, choć akurat na tej płycie Equal Rights bębni również ówczesny bębniarz Wailersów, czyli Carton Barret.

Police and thieves in the street.

Scaring the nation with their guns and ammunition.

All the crimes committed.

Police and thieves in the streets.

Scaring the nation with their guns and ammunition.

To jego piosenka Police and Thieves, która była później również wzięta na warsztat przez punk rockową brytyjską grupę The Clash.

No i jego ówczesnym wzorem był Leroy Neeb, bębniarz legendarnych The Scatolites jamańskiego zespołu wszechczasów, chyba można tak powiedzieć.

Sly więc dołączył do studyjnego zespołu The Agrovators, no i szybko wykazał się innowacyjnym podejściem do gry na perkusji, która charakteryzowała się odbieranymi wówczas jako zaskakujące przesunięciami akcentów, pauzami, synkopami, tym wszystkim z czym kojarzy się muzyka reggae

It's been so long since a strange woman has slept in my bed Look how sweet she sleeps How free must be her dreams In another lifetime she must have owned the world or been faithfully wedded To some righteous king who wrote songs beside moonlight streams

Creation where one's nature neither honors nor forgives.

I and I once said to the other no man sees my face and lives.

Nothing ever does Besides if she wakes up now She'll just want me to talk I got nothing to say Especially about whatever was I and I In creation we're ones of nature Neither honors nor forgives

The world could come to an internet but that's alright She should still be there sleeping when I get back I and I in creation where once nature neither honors nor forgets I and I once said to the other no man sees my face and lives

Music of the future, even if a music of the present era.

Got the vibes, they survive me like a German sketch hour.

I now quote the words of the late Caesar.

Be careful And do the best we can Immaskan oblad gize Let it be praised continually Kibila unlock immaskan