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Borislav Slavov - Czy można się utrzymać z tworzenia muzyki do gier?

[EN] How to start working as a music composer in game industry? How’s making a video game soundtrack different from doing movie scores? What's it like to work with Hans Zimmer? If you want to get answers for those questions, listen to our new podcast episode with Borislav Slavov. He’s a Multiple Award-Winning video game Composer and Music Director. He worked on such productions as: Crysis 2 and 3, Divinity: Original Sins 2 and Baldur’s Gate 3. [PL] Jak zacząć pracę jako kompozytor muzyczny w przemyśle gier komputerowych? Czym różni się tworzenie soundtracków do gier od komponowania muzyki do filmów? Jak to jest pracować z Hansem Zimmerem? Na te pytania odpowiedział Borislav Slavov - kompozytor i dyrektor muzyczny w branży gier komputerowych. Pracował przy takich produkcjach jak: Crysis 2 i 3, Divinity: Original Sins 2 oraz Baldur’s Gate 3.

How is making video game soundtracks different than doing movie scores? How does one get the inspiration to make the kind of music that will fit the game you're working on? Passion is great and all, but can you make a decent living as a video game music composer? You'll find answers to these questions and much more in this episode of our podcast. and much more in this episode of our podcast. That's the thing, back then the only thing that I had at my disposal was my passion. My passion ...